Imagine a war-torn city that has risen from the ashes, embracing art as a beacon of hope and unity – that's the heartwarming tale behind the unveiling of Southeast Asia's first Tree of Peace sculpture in Marawi City. Buckle up as we dive into how this simple artwork carries profound messages of reconciliation, and you'll see why it's sparking conversations worldwide.
On November 29, the grand reveal took place at the Lanao del Sur Provincial Capitol in Marawi City. According to a press release from the Philippine Information Agency Region 10, Hedva Ser, who serves as the Goodwill Ambassador for Cultural Diplomacy, shared the deep symbolism behind the sculpture. She described it as more than just an artistic piece; its branches symbolize outstretched hands offering support and clasping together in fellowship, fostering discussions and healing, particularly among kids and teenagers. For beginners wondering what this means, think of it like a visual reminder that talking things out – really listening and sharing – can mend even the deepest rifts, just as friends resolve disputes by chatting openly.
Ser stressed the importance of open communication, saying, 'We must engage in dialogue, we must converse. Peace holds the answer to all challenges,' and she pointed out that the sculpture stands for valuing conversation over mere aesthetics. And this is the part most people miss – it's not just about pretty art; it's a call to action for everyday interactions.
Regarding the choice of Marawi as the site, Ser explained that it differed from past locations, which were mostly universities. 'This city endured a horrific conflict,' she remarked. 'Yet now, reconciliation shines through. People are beaming with smiles, greeting each other with 'as-salaamu alaykum' (peace be upon you). What better model for the globe could Marawi provide?' This selection underscores how places of past pain can become symbols of triumph, helping others understand that recovery is achievable through unity.
Provincial Governor Mamintal Adiong Jr. echoed these sentiments, explaining the sculpture's significance to Marawi. The city, ravaged by the 2017 siege – a prolonged battle against ISIS-inspired militants that lasted five months and caused immense devastation – now stands as a powerful example of strength. It's been bolstered by the solidarity of its leaders and the unwavering spirit of its residents. 'This Tree of Peace reminds us that healing is within reach, reconciliation is crucial, and peace is always a cause worth pursuing,' he declared. He also expressed gratitude to Ser for choosing Marawi as the inaugural Southeast Asian spot for this installation, noting how it resonates with the city's essence and celebrates its tireless work in building lasting peace.
But here's where it gets controversial: The ceremony drew attendees from the South-South Cooperation Council (SSCC), an international non-governmental group focused on enhancing global South-South exchanges via cultural diplomacy and artistic initiatives. Victor Sebek, the SSCC's chairperson and a recipient of the 2025 GUSI Peace Prize, suggested that Marawi's Tree of Peace could evolve into a major draw for tourists, embodying the city's rebirth, evolution, and dedication to harmony. He acknowledged that certain foreign ministries still advise against visiting Marawi, deeming it a 'no-go zone.' Yet, drawing from his 38 years of travel in the Philippines, including numerous visits to Mindanao and Misamis Oriental, Sebek insisted that Marawi is now secure. This raises eyebrows – is Marawi truly safe for all, or do lingering perceptions from the siege still cloud judgments? It's a debate worth pondering, especially for those considering travel or advocacy.
Sebek pledged the SSCC's support for Marawi on a worldwide scale: 'On behalf of the South-South Cooperation Council and all our affiliates, I promise that in every place we visit and every speech we deliver, we'll highlight Marawi's inspiring journey from suffering to a promising tomorrow,' he vowed.
Diving deeper, Cecile Guidote Alvarez, a member of the SSCC Policy Advisory Board and a UNESCO Artist for Peace, urged the sculpture to inspire real-world steps, particularly in education. She pointed out how misconceptions about Muslim Mindanao stem from inaccurate stories that eclipse the region's vibrant cultural tapestry. For instance, many people might not realize that Mindanao's Muslim communities have a rich history of traditions, art, and resilience, much like other Filipino groups but often underrepresented.
Alvarez also spotlighted the lack of recognition for historical icons like Sultan Kudarat, whose bravery in defending his people against colonial forces mirrors the heroism of national figures such as Jose Rizal, Apolinario Mabini, and Andres Bonifacio, yet his legacy isn't adequately covered in school curricula. She challenged schools, including Mindanao State University, to launch initiatives documenting Mindanao's indigenous Muslim heritage, customs, and faiths – perhaps by compiling an 'encyclopedia of Muslim heritage' to build better understanding and promote enduring peace. This could include interactive projects where students explore local traditions through art or stories, making history come alive.
Emphasizing art and education's role in peacekeeping, Alvarez noted that young visitors to the Tree of Peace should absorb its teachings and bring them home, to classrooms, and into neighborhoods. She fervently advocated for togetherness: 'Assalamu alaykum, keep uttering that greeting. Similarly, Catholics say, 'Peace be with you.' We're united, not divided. We need schooling and artistic learning. But I trust that here in Marawi, by tackling this, using education to break free from poverty, ignorance, and strife, and fostering our shared bonds, we can create change. So, let's collaborate and move forward to protect our children's future,' she passionately urged.
The unveiling aligned with the annual Mindanao Week of Peace, celebrated from November 27 to December 3. Brigadier General Billy O. Dela Rosa, leading the 103rd Infantry 'Haribon' Brigade, guided UNESCO delegates to the 'Tears from Heaven' monument at Kampo Ranao. This memorial etches the names of 168 fallen heroes – 161 soldiers and seven police officers who perished during the May 23, 2017, Marawi Siege against the Maute group, affiliated with ISIS. It's a somber reminder of the sacrifices made, yet it ties beautifully into the theme of peace and remembrance.
What do you think – can symbols like the Tree of Peace really transform a city's image, or is it just another piece of art? Do you agree that education is key to overcoming historical misunderstandings, or should we focus more on economic recovery? Share your views, agreements, or disagreements in the comments; let's spark a conversation!
